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・ Silvija Latožaitė
・ Silvija Mrakovčić
・ Silvija Nedeljković
・ Silvija Popović
・ Silvija Talaja
・ Silvije Begić
・ Silvije Degen
・ Silvije Strahimir Kranjčević
・ Silvije Čavlina
・ Silvijo Petriško
・ Silvin of Auchy
・ Silvina Bosco
・ Silvina Bullrich
・ Silvina D'Elía
・ Silvina Luna
Silvina Milstein
・ Silvina Montrul
・ Silvina Moschini
・ Silvina Ocampo
・ Silvina Schlesinger
・ Silvington
・ Silvinho
・ Silviniaco Conti
・ Silvinichthys
・ Silvinit
・ Silvino Barsana Agudo
・ Silvino Bercellino
・ Silvino Bracho
・ Silvino Ferreira
・ Silvino Francisco


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Silvina Milstein : ウィキペディア英語版
Silvina Milstein

Silvina Milstein (born in Buenos Aires, 12 February 1956) is an Argentine composer and scholar of twentieth-century music, living in the United Kingdom and teaching at King's College London. Her music has been described as 'turbulent and hesitantly ecstatic',〔(Ivan Hewett, BBC Music Magazine )〕 as well as 'highly poetic', 'rich and dense'.〔(Composer.co.uk profile )〕
==Background and education==

Milstein emigrated to Britain after the Argentinian military coup of 1976.〔(Composer profile at Sound and Music website )〕 Her early musical education had taken place at the Collegium Musicum of Buenos Aires and the Escuela de Bellas Artes of the University of La Plata. At Glasgow University her main composition teachers were Judith Weir and Lyell Cresswell. She was awarded a prize as the most distinguished woman graduate in the Faculty of Arts. Later she studied under Alexander Goehr, with whom she has also carried out extensive research into the music of Arnold Schoenberg.〔(Departmental staff page at King's College London website )〕
In the late 1980s she held a Research Fellowship at Jesus College followed by a combined research and teaching Fellowship at King's College, Cambridge. She is now a Professor of Music at King's College London.〔
In addition to her own compositional work her interests concern the musical and intellectual environment of the Second Viennese School, and of Schoenberg in particular. The main core of her teaching is in composition, twentieth-century music history, and analysis of contemporary music.〔

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